Originally published to 8newsnow.com on June 9, 2023.

While Pixar had been known for its emotional storytelling and movies that included universal themes in ways that were accessible to both adults and children alike. With an unprecedented hot streak that started with 1995’s “Toy Story” and extended through that film’s third sequel in 2010, Pixar rattled off hit after hit. 27 years after Toy Story, Pixar has lost some of its “must-see” prestige but looks to regain some of it with its new effort “Elemental.”

“Elemental” is a good time at the theater. The colorful characters are well drawn, and our dual protagonists, Ember and Wade, voiced by Leah Lewis and Mamoudou Athie, respectively, are engaging and fun to watch. While at times heavy-handed, the plot calls into play familiar tropes about cultural differences and acceptance that have been used repeatedly across the cinematic spectrum. It’s those tropes that will no doubt speak to a lot of people on a personal level.

If there is fault in “Elemental,” it’s that the film forgoes world-building to pursue family drama and character development. It’s not all bad. Thanks to that focus, by the time we reach the film’s conclusion, we understand these characters’ motivations, enhancing the third act’s poignancy. However, we do miss out on the fanciful worlds and the rules and practices therein created by Pixar’s mad geniuses. Here, there are no inner workings of Riley’s brain from “Inside Out,” nor is there an entire world built by and for vehicles like in “Cars.” Element City just exists, and the plot doesn’t set aside time for exploration.

“Elemental” is what so many have asked for on-screen. It’s a fresh, original tale without the burden of intellectual property. While the film never quite reaches “S tier” and fails to hit the highs of Pixar’s best, it’s an enjoyable time worthy of a recommendation.